May 29th, 2006
The Tension Between Art and Religion
To those that would say they’re intolerant of people degrading what Christ did on the cross, please examine the cross. Religious leaders were offended by the teachings of Christ so they martyred Him on the cross, mocking Him as they did the deed. God redeemed the very thing that was meant to be the ultimate humiliation and in the process set the stage for the rest of time.
We as Christians tend to crucify, through words, boycotts, and even physical actions, people who “mock” the cross of Christ. The funny thing is that the picture we paint through those reactions is surprisingly similar to what really happened on the cross. What these secular artists are doing to Christ today by producing “anti-Christ” artwork, their mockery and satire, is nothing compared to what the religious leaders did to Christ in His day.
In some sense, the closer to the reality an artist gets, the more offensive the art will seem to appear (even if it isn’t their intention). We have to realize the cross was brutal. All crucifixes fall short of this reality, some more than others. The more bloody, gory, mocking, humiliating, the more offensive, the closer to the actual event, the actual crucifixion we come… and the more Christ’s pain and suffering can be communicated.
I have a painting that I haven’t shown many people. I made it shortly after God broke me down in 2004. The painting is a silhouette (black on a red background) of me crucified, legs running off the bottom of the page, arms out to my sides, but slightly tilted toward the sky, head tilted down. Essentially, my arms and my body follow the same lines of a woman’s body… the lines where her legs and her body meet just below her waist.
Now, many people would be extremely offended that I involved the crucifix in something so overtly sexual. And I suppose, in part, that’s why I haven’t shown many people. That and it’s an extremely personal painting for me. But this is the intent, this is the reason why my painting is probably my favorite crucifix:
My addiction to pornography, to the abuse of women and their bodies, the suffering, the pain, the humiliation, my own mockery of Christ’s death through my sin – all of these things are built into this simple picture. For those reasons, this crucifix picture is my favorite. It’s the most vivid, most accurate account of what really happened when Christ died of me, for my life. It’s what I can relate to because of my own personal experiences, my own sin.
On a similar note, one of my friends would say his favorite crucifix is the painting on the front of Marilyn Manson’s “Holy Wood” cd. Another of my friends would say his favorite crucifix is “Piss Christ” by Andres Serrano. The Manson crucifix and the Serrano crucifix are both works that have traditionally been quite offensive to modern-day Christians. But if you look at the works, if you really dig into them, if you look for the truth in them, you’ll see why they like these images so much.
My friend who likes the Mason art – He just feels like the work does a good job of showing the suffering and pain, the harshness of the cross. And my friend who like’s the Andres Serrano photo feels that Christ on the cross, being submerged in the artist’s piss (and possibly blood) communicates well the submersion of Christ in our sin and humanity.
This is where the tension between art and religion lies – how far is too far? Is submerging the crucifix in piss and blood too far? Is it too far for me to contrast a woman’s sexuality with the broken body of Christ? Or are these pictures that show an overwhelming truth?
I think we are called to recognize and hold on to truth no matter where it is, who says it, who produces it – if for no other reason than to better communicate the gospel for our current generation. This is much like Paul reading and referencing the Creation prophets (Titus 1:12) or walking through Athens, looking at their idols, then telling the people that he knows their “unknown” God (Acts 17:23+). Paul is referencing things that are by no means Christian, but is pulling truth from them in an effort to relate to the people of that land.
In the same way, it can be helpful if I can talk with an artist about why I think “Piss Christ” is so right… Or if I can show a literary connoisseur the gospel through “de Profundis” by Oscar Wilde… Or if I can pull down a Marilyn Manson cd and say to a music lover “Look at this, he got this part right, but here’s how he’s wrong. Let me tell you how God really is.”
The main point is this: I think it is better, if you can handle it, to look for truth in the world so that you can communicate to people in a way they understand. And if you can do this, you can find inspiration and you can find Christ most anywhere you look – which should be extremely refreshing.
Note 1:
More than any other book I have read, “My Name Is Asher Lev” by Chaim Potok communicates not only what it’s like to be an artist, but what it’s like to deal with the tension of art and religion. If you’re not an artist who want’s to understand what it’s like to be one, or if you are an artist who wrestles with the tension between art and religion, I would urge you to read his book. This is my favorite work of fiction.
Note 2:
You can find 3 of the works mentioned my writing here:
Marilyn Manson’s “Holy Wood”: http://www.philiplikens.com/myspace/holywood.jpg
Andres Serrano’s “Piss Christ”: http://www.philiplikens.com/myspace/pisschrist.jpg
de Profundis: http://www.philiplikens.com/myspace/deprofundis.doc